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One of our flood pictures features a little section of our backyard garden where a whole mess of detritus floated around until some stiff current pulled the mess into the swollen Floyd River. That stuff is long gone. 

Among the things floating around was the inside title page of a collection of stories by Raymond Carver, who for a time in the eighties and nineties, stood atop the contemporary literary world with his own style of bare-boned realism, a genre that seemed new at the time. From a floor above, I recognized that sad and sodden book—and that it was lost.

Carver did a summer’s worth of teaching at the University of Wisconsin in Milwaukee, where, back then, I was a student. I read him religiously before he came—we all did; but for reasons beyond my ken, his work bore down on my life like few others. It was 1980, and to me his flat, minimalist style was as much inspiration as it was genius. Some early stories of mine are embarrassing attempts to be Raymond Carver.

For me, Ray Carver autographed a book of his, What We Talk About When We Talk About Love, and said some savory words about whatever I’d handed in to him. I swear that’s the Carver I spotted from the front window of the house in a couple feet of water with a bunch of other water-logged favorites from the same old shelf. It’s gone. What’s worse, of all the books in the Schaap library, my son had long ago determined that one day he wanted that signed copy of Carver’s short stories. He liked Carver too.

All of that is what lay down there beneath me in a sorry mess of ruined books and who knows what else in the windfall of a flash flood that left five feet of water in our walk-out basement.

That’s a bad story, one of the worst—personally I mean; there were other great losses, too numerous to mention; but all around us—from Canton to Spencer and Cherokee, southwest to Hawarden and Akron—hundreds of people suffered total losses and found themselves nakedly homeless, wandering into social service outlets to tell the volunteers that they needed, well, everything because they had, well, nothing. Hundreds. 

Compared to those folks’ losses, ours barely register. We can move back into one floor of our house before we need to be out of the college apartments where we and other refugees found immediate and generous refuge. Still, in a flood no one saw coming I lost my own personal copy of What We Talk About When We Talk about Love, and I’m not ready to say that the loss of a very special book is just a pittance.

Enough with the tears. Let me tell you about Grace. It’s abundant and free, magical in its pervasive and often silent power. 

For years, Barbara has taken her grandchildren out to the strawberry fields east of here, where we sit (I resigned from sitting three years ago) in the rows assigned until we’ve picked two or three flats of plump red strawberries. Her grandchildren have always loved that romp, in part because Grandma’s purse suddenly falls scandalously open. Not only does it pay for the abundance they’ve picked, that gaping purse gets them the treats the business sells more of every season–strawberry malts, strawberry pie, strawberry ice cream, and whatever new fruity concoctions the berry business creates. Whether I pick alongside the bunch or just drive them out there, I somehow come home with a half-dozen strawberry donuts.

For health reasons, I didn’t go this summer; but when she returned from the outing, lo and behold a half dozen strawberry donuts appeared–for me. I shan’t eat a half dozen in one sitting, so the package went into the freezer and were then, well, totally forgotten, amid the bedlam of the flood and all the muddy madness thereafter.

Yesterday, by chance I opened the freezer. Frozen strawberry donuts. 

Grace isn’t particularly difficult to talk about in the neighborhood right now. Where the destruction was total, entire communities look upon the cloud of witnesses and caregivers that have descended in grace itself. People cry publicly, when amid the catastrophe, someone somewhere sounds the good tidings of sweet and abiding hope.

So let me trumpet mine for a moment, because last night, just as we were about to leave our flood-ravaged home for a snug and wonderful apartment, I happened to look in the freezer and found pink donuts I’d forgotten we had–strawberry donuts from before the flood (that sounds biblical).

Real theologians will give wonderfully comprehensive definitions of grace, but for this 76-year-old homeless guy, last night, at the end of the Sabbath, those strawberry donuts fell on me like a soft and sweet bolt of sheer grace.

There’s a grand mess all around, but precious moments rise out of nowhere, and flood into our lives, maybe even by way of pink donuts. 

There’s always grace.

James C. Schaap

James Calvin Schaap is a retired English prof who has been something of a writer for most of the last 40 years. His latest work, a novel, Looking for Dawn, set in reservation country, is the story of two young women joined by their parents' mutual brokenness and, finally, a machine-shed sacrament of reconciliation. He writes and narrates a weekly essay on regional history for KWIT, public radio, Sioux City, Iowa. He and his wife Barbara live on the northern edge of Alton, Iowa, the Sgt. Floyd River a hundred yards or so from their back door. They have a cat--rather, he has them.

9 Comments

  • Dana VanderLugt says:

    I mourn the loss of so much, especially that book with you, and am glad for the sweet grace of the donuts.

  • Kim Van Es says:

    Jim, I really liked this piece. You are honest about the grief related to your home’s flooding but are also able to name grace in the wake of it.

  • Tom Boogaart says:

    In the spirit of Deb Rienstra, those donuts are grace, and grace is both the place and power from which we can begin again, a refugia.

  • Henry Baron says:

    “Amazing grace, how sweet the sound” – and how blessedly sweet when it floods your soul after so much loss. “Sterkte”, Jim, as the Dutch would say….

  • Thomas Bartha says:

    Ahh Jim. I do believe I have read just about everything Raymod Carver ever wrote, including two books of his poetry, and one extensive biography. I keep them on the same shelf as several of your earlier collections of short stories…near to Richard Ford and Tobias Wolff, Bobbie Ann Mason, and others–like you– who have left such an impact upon so many. Sorry for the loss of your signed copy, but grateful for the pink donuts.

  • Jack Ridl says:

    Grace in grief or grief in grace? Both?
    Ray says . . .

  • Lynn Setsma says:

    Thanks, Jim. It’s so easy for us to hear the news of flooding or fires, feel bad for everyone, and promptly forget. So sorry for your loss and grateful for your reminder to us of the toll it takes but also the grace you experienced in a strawberry donut.

  • Mary Kok says:

    I’m so sorry for this loss you have had, both in large and small dimensions. Continuing to pray for both you and Barb as the recovery goes on.

  • Linda Groen says:

    Dear Jim and Barb…I just finished reading HOME FREE; I have to report that “Lord, Like a Pelican I Stand!” (Page 110) gave me such a deep, cleansing, wonderful belly laugh as I have had in a month of Sunday’s! What a clear, excellent, yet humorous exposure of the hypocrisy within our Christian circles; we all have our own part in it. Keep writing, Jim, so we all can continue to be informed, entertained, and amused by your funny “stuff”! I just returned from a large family reunion surrounded by “legions” of those dear Reformed, Dutch, Calvinists, where we had a smashing good time, surrounded by God’s grace. Thank you, Jim, and God bless you REAL GOOD! Your sister-in-Christ, Linda Groen

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